Is South cinema the brand new Bollywood?

Posters of Pushpa: The Rise (L) and KGF Chapter 2 (R).

Posters of Pushpa: The Rise (L) and KGF Chapter 2 (R).

When did Salman Khan actually grow to be the bhaijaan of Bollywood? Nicely, it wasn’t Ek Tha Tiger or Dabangg. It was Needed. The 2009 launch, a remake of the Telugu movie Pokiri (2006), starring Mahesh Babu, catapulted him to super-stardom. For the longest time, Bollywood’s most masaledaar choices have been both direct remakes or impressed by South cinema. Suppose Rohit Shetty and his cars-flying model, and also you’d know what we imply. Why? As a result of South cinema had a zing that Bollywood needed to achieve however did not know the way. However, all that is modified now. For South cinema is completed being second to Bollywood. It is right here to say its throne.


We have recognized for the reason that time of William Shakespeare that ‘imitation is the very best type of flattery’. So, for many years now, that is the route we took. Ravi Teja’s Vikramarkudu (2006) grew to become Akshay Kumar’s Rowdy Rathore (2012), Ram’s Prepared (2008) grew to become Salman Khan’s Prepared (2011), and even the much-controversial, Vijay Deverakonda’s Arjun Reddy turns into Shahid Kapoor’s Kabir Singh (2019). However now, OTT has exploded into our residing rooms. And due to this fact, we will watch a KGF Chapter 1 proper right here – proper the place you’re studying this piece. And abruptly ‘remakes’ did not make sense anymore.

Now, there’s all the time been a marketplace for South cinema outdoors of southern India. Rising up, many people spent our Sundays watching ‘Madras Lower’ motion pictures on Set Max in our residing rooms. Dubbed in Hindi, after all. Tapping proper into that market, filmmakers down South determined to now launch their movies in a number of languages, concurrently. As soon as once more, ‘remakes’ did not make sense anymore. So if South cinema does what it does higher, and there’s no language barrier or Hindi supremacy separating us anymore, what’s stopping us from reaching for the makkhan, shunning the margarine?

Nothing. Actually. And the roaring success of Allu Arjun’s Pushpa and Suriya’s Jai Bheem earlier than that – to call a couple of – simply reiterate that. “What occurred with Pushpa was lengthy overdue. Some phenomenal content material is being made down South in terms of cutting-edge storytelling coupled with an ideal diploma of tech. [But], plenty of movies that deserved to launch in theatres [nationwide] have been going on to the satellite tv for pc, which, for my part, was undermining the North-Indian market these movies have,” begins off movie exhibitor Akshaye Rathi.


‘Content material is king’ is one thing we have heard extra ceaselessly than ‘Winter is Coming’ within the 8 seasons of Recreation of Thrones. However content material would not come on a chariot with a crescendoing background rating. It must be recognized and adorned appropriately for the aam janta to have the ability to see it as king. That is one facet that South cinema is miles forward in. “Tamil and Telugu cinema particularly, do not alienate their viewers. They forged a really huge web in terms of focusing on an viewers base. You’ll by no means see a South movie, starring the superstars, made for a distinct segment viewers. Hindi cinema has been doing this for some time, which is why the least frequent denominator – the aam aadmi – feels alienated. Whether or not you have a look at Telugu movies with the likes of Allu Arjun, Prabhas, Mahesh Babu, Jr NTR or Ram Charan, or Tamil movies starring Famous person Rajinikanth, Thalapathi Vijay, Ajith, or others – they’re all making movies which cater to everybody,” provides Akshaye. The commerce analyst agrees, and provides, “Bollywood has been making movies for the multiplex viewers, nothing improper with that, however we’re forgetting the only screens, the mass belt, the heartland. Therefore, they’re taking to South Indian movies.”

The place does that depart our Bollywood famous person? On the danger of ruffling feathers – taking part in second fiddle to the southern giants! You see an Alia Bhatt and Ajay Devgn biting a small piece of the RRR pie, or perhaps a Karan Johar, clearly figuring out the money-making potential put up Baahubali 1, piggybacking as one of many producers for Baahubali 2.

It’s not only a one-way road. If our heroes are crossing over searching for greener pastures, the South stars, now with elevated reputation because of social media and OTT, have gotten pan-India stars. And demanding cash matching that moniker. Put up Baahubali, Prabhas hiked his worth and is now charging Rs 150 crore for his subsequent with Sandeep Reddy Vanga. This, even if his final, Saaho, was a dud.


Will South cinema overtake Bollywood? Akshaye Rathi each agrees and disagrees, and talks a couple of new period of ‘Indian cinema’, relatively than Bollywood or regional. “The viewers is leaning in direction of paisa wasool leisure. They ask to deliver folks to the cinema halls is large as a result of they’re spoilt for alternative at residence, because of OTT. We’re going from Hindi, Marathi, Bengali, Tamil, Telugu, Bhojpuri movie fraternities to the Indian movie fraternity. So, whereas we hope to see extra movies like Pushpa doing properly nationally, we additionally hope movies like 83 and Brahmastra do higher down South,” he provides.

Taran Adarsh places it merely. “Get up and odor the espresso,” he tells Bollywood producers in conclusion. Give them what they need, or they may look elsewhere. Appears truthful, no?

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